A Fistful Of Dollars full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

A stranger arrives at the little town of San Miguel. Silvanito, the town's innkeeper, tells the Stranger about a feud between two families vying to gain control of the town: the Rojo brothers: Benito, Esteban and Ramón and that of the town sheriff, John Baxter. The Stranger decides to play each family against the other in order to make money, and proves his speed and accuracy with his gun to both sides by shooting with ease the four men who insulted him as he entered town.

The Stranger seizes his opportunity when he sees the Rojos massacre a detachment of Mexican soldiers who were escorting a chest of gold that they'd planned to exchange for a shipment of new rifles. He takes two of the dead bodies to a nearby cemetery and sells information to both sides, saying that two Mexican soldiers survived the attack. Both sides race to the cemetery; the Baxters to get the "survivors" to testify against the Rojos, and the Rojos to silence them. The factions engage in a gunfight, with Ramón managing to "kill" the "survivors" and Esteban capturing John Baxter's son, Antonio.

While the Rojos and the Baxters are fighting, the Stranger searches the Rojo hacienda for the gold. While he is searching he accidentally knocks out a woman, Marisol. He takes her to the Baxters, who, in turn, arrange to return her to the Rojos in exchange for Antonio. During the exchange, Marisol's son, Jesús, runs towards her, followed by her husband, Julio. While the family embraces, Ramón orders one of his men, Rubio, to kill her husband as he has already told him to leave town. Silvanito attempts to protect the family with a shotgun with the Stranger backing him up. Neither Ramón nor any of his men attempt to challenge the Stranger, knowing that he is too fast on the draw.

The Stranger then tells Marisol to go to Ramón and for Julio to take Jesús home. He learns from Silvanito that Ramón had framed Julio for cheating during a card game and taken Marisol as his prisoner, forcing her to live with him. That night, while the Rojos are celebrating, the Stranger rides out and frees Marisol, shooting the guards and wrecking the house in which she is being held, making it appear as though it were attacked by the Baxters. He gives Marisol some money and tells her family to leave the town.

When the Rojos discover that the Stranger freed Marisol, they capture and torture him, but he escapes. Believing him to be protected by the Baxters, the Rojos set fire to the Baxter home and massacre the entire family as they run out of the burning building. Ramon kills John Baxter and Antonio after pretending to spare them. Consuelo, John Baxter's wife, appears and curses the Rojos for killing her unarmed husband and son. She is then shot and killed by Esteban.

With help from Piripero, the local coffin-maker, the Stranger escapes town by hiding in a coffin. He hides and convalesces in a nearby mine. When Piripero tells him that Silvanito has been captured, the Stranger returns to town to face the Rojos. With a steel chest-plate hidden beneath his poncho, he taunts Ramón to "aim for the heart" as Ramón's shots bounce off. Panicking, Ramón uses up all of the bullets in his Winchester.

The Stranger shoots the rifle from Ramón's hand and kills the other Rojos standing nearby, including Don Miguel and Rubio. He then uses the last bullet in his gun to free Silvanito, tied hanging from a post. After challenging Ramón to reload his rifle faster than he can reload his own pistol, the Stranger shoots and kills Ramón. Esteban Rojo aims for the Stranger's back from a nearby building, but is shot dead by Silvanito. The Stranger bids farewell and rides away from the town.

A Fistful of Dollars was at first intended by Leone to reinvent the western genre in Italy. In his opinion, the American westerns of the mid- to late-1950s had become stagnant, overly preachy and not believable. Despite the fact that even Hollywood began to gear down production of such films, Leone knew that there was still a significant market in Europe for westerns. He observed that Italian audiences laughed at the stock conventions of both American westerns and the pastiche work of Italian directors working behind pseudonyms. His approach was to take the grammar of Italian film and to transpose it into a western setting.

The production and development of A Fistful of Dollars from anecdotes was described by Italian film historian Roberto Curti as both contradictory and difficult to decipher. Following the release of Akira Kurosawa's Yojimbo in 1963 in Italy, Sergio Corbucci has claimed he told Leone to make the film after viewing the film with friends and suggesting it to Enzo Barboni. Tonino Valerii alternatively said that Barboni and Stelvio Massi met Leone outside a theatre in Rome where they had seen Yojimbo, suggesting to Leone that it would make a good Western. Actor and friend of Leone Mimmo Palmara told a similar story to Valerii, saying that Barboni had told about Yojimbo to him and he would see it the next day with Leone and his wife Carla. Following their screening, they discussed how it could be applied into a Western setting..

Bolzoni stated in 1978 that he had the idea of making Yojimbo into a Western and brought the idea to Franco Palaggi, who sent Bolzoni to watch the film and take notes on it with Duccio Tessari. Bolzoni then said both he and Tessari wrote a first draft which then moved on to Leone noting that Tessari wrote the majority of the script.

Fernando di Leo also claimed authorship to the script noting that both A Fistful of Dollars and For a Few Dollars More were written by he and Tessari and not Luciano Vincenzoni. Di Leo claimed that after Leone had the idea for the film, Tessari wrote the script and he gave him a hand. Di Leo would repeat this story in a later interview saying that he was at the first meetings between Tessari and Leone discussing what kind of film to make from Yojimbo. Di Leo noted that Leone did not like the first draft of the script which led to him drastically re-writing it with Tessari. Production papers for the film credit Spanish and German writers, but these were added on to play into co-production standards during this period in filmmaking in order to get more financing from the Spanish and West German companies. Leone himself would suggest that he wrote the entire screenplay himself based on Tessari's treatment.

Eastwood was not the first actor approached to play the main character. Originally, Sergio Leone intended Henry Fonda to play the "Man with No Name." However, the production company could not afford to employ a major Hollywood star. Next, Leone offered Charles Bronson the part. He, too, declined, arguing that the script was bad. Both Fonda and Bronson would later star in Leone's Once Upon a Time in the West (1968). Other actors who turned the role down were Henry Silva, Rory Calhoun, Tony Russel, Steve Reeves, Ty Hardin, and James Coburn. Leone then turned his attention to Richard Harrison, an expatriate American actor who had recently starred in the very first Italian western, Duello nel Texas. Harrison, however, had not been impressed with his experience on that previous film and refused. The producers later presented a list of available, lesser-known American actors and asked Harrison for advice. Harrison suggested Eastwood, who he knew could play a cowboy convincingly. Harrison later stated, "Maybe my greatest contribution to cinema was not doing A Fistful of Dollars and recommending Clint for the part." Eastwood later spoke about transitioning from a television western to A Fistful of Dollars: "In Rawhide, I did get awfully tired of playing the conventional white hat ... the hero who kisses old ladies and dogs and was kind to everybody. I decided it was time to be an anti-hero."

A Fistful of Dollars was an Italian/German/Spanish co-production, so there was a significant language barrier on set. Leone did not speak English, and Eastwood communicated with the Italian cast and crew mostly through stuntman Benito Stefanelli, who also acted as an unlicensed interpreter for the production and would later appear in Leone's other pictures. Similar to other Italian films shot at the time, all footage was filmed silent, and the dialogue and sound effects were dubbed over in post-production. For the Italian version of the film, Eastwood was dubbed by stage and screen actor Enrico Maria Salerno, whose "sinister" rendition of the Man with No Name's voice contrasted with Eastwood's cocksure and darkly humorous interp